Tyler Armes v. Austin Richard Post et al, No. 2:2020cv03212 - Document 32 (C.D. Cal. 2020)
Court Description: ORDER GRANTING IN PART AND DENYING IN PART DEFENDANTS' MOTION TO DISMISS THE FIRST AMENDED COMPLAINT 28 by Judge Otis D. Wright, II: Court QUASHES service upon Dukes and ORDERS Armes to effectuate valid service of process upon Dukes within t wenty-one (21) days of the issuance of this Order. If Armes fails to file proof of such service within that time, the Court will dismiss Armess claims as to Dukes without further warning, pursuant to Rule 4(m). In the meantime, Defendants request to dismiss the claims against Dukes under Rule 12(b)(5) is DENIED. The Court GRANTS in part the Motion under Rule 12(b)(6) and DISMISSES Armes's Recording claims with leave to amend. Armes may file a Second Amended Complaint curing the deficiencie s identified above within fourteen (14) days of the issuance of this Order. If Armes does not file a Second Amended Complaint, Defendants shall file their Answer to the FAC within twenty-one (21) days of this Order. The remainder of the Motion is DENIED, except that the Court QUASHES service upon Dukes and ORDERS proper service of process as stated above. (lc)
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Tyler Armes v. Austin Richard Post et al Doc. 32 O 1 2 3 4 5 6 7 8 United States District Court Central District of California 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Case 2:20-cv-03212-ODW (PJWx) TYLER ARMES, an individual, Plaintiff, v. AUSTIN RICHARD POST p/k/a POST MALONE, an individual; ADAM KING FEENEY p/k/a FRANK DUKES, an individual; UNIVERSAL MUSIC GROUP, INC., a Delaware corporation; DOES 1 through 10, inclusive, ORDER GRANTING IN PART AND DENYING IN PART DEFENDANTS’ MOTION TO DISMISS THE FIRST AMENDED COMPLAINT Defendants. I. INTRODUCTION Defendant Austin Richard Post, professionally known as Post Malone (“Post”), is a well-known musical artist. (See generally First Am. Compl. (“FAC”) ¶ 1, ECF No. 24.) Plaintiff Tyler Armes claims he co-authored both the composition and sound recording of Post’s popular song Circles (“Composition” and “Recording,” respectively) and deserves credit therefor and a share of the profits from Circle’s success. (Id.) Now before the Court is a Motion to Dismiss the FAC (“Motion”) by Defendants Post, Adam King Feeney, professionally known as Frank Dukes (“Dukes”), and Republic Records, erroneously sued as Universal Music Group, Inc. (collectively, “Defendants”). (Mot. to Dismiss (“Mot.”), ECF No. 28.) The matter is Dockets.Justia.com 1 fully briefed. (See Mot.; Opp’n to Mot. (“Opp’n”), ECF No. 29; Reply ISO Mot. 2 (“Reply”), ECF No. 31.) For the following reasons, the Court GRANTS in part and 3 DENIES in part the Motion.1 II. 4 5 A. BACKGROUND Relevant Facts 6 Armes, also a professional musician, is the bandleader, writer, and producer for 7 the bands “Down With Webster” and “Honors.” (FAC ¶ 2.) Armes alleges that Post’s 8 manager, Dre London, has encouraged Armes to collaborate with Post numerous 9 times. (Id. ¶ 12.) Armes alleges that in early August 2018, he accepted London’s 10 invitation to attend Post’s private concert in Toronto, Canada. (Id. ¶ 13.) The 11 following evening, “Dre again invited Armes to go to Duke’s Toronto studio with 12 Post and Dukes to write music together.” (Id. ¶¶ 13–14.) Armes claims that on 13 August 8, 2018, he, Post, and Dukes “worked together in the studio, with Armes on 14 bass, Post on drums and Dukes playing guitar and keyboards,” from 2:00 a.m. to 15 9:00 a.m. (Id. ¶ 15.) Specifically, Armes alleges that he and Dukes “co-wrote the 16 chords for [Circles] on the keyboard” and that he “co-wrote and had significant input 17 in the bassline.” (Id. ¶ 16.) Armes also alleges that he “had input on the guitar parts 18 in [Circles], including co-writing the guitar melody which is played in the 19 introduction to the Song and which repeats throughout the Song.” (Id.) 20 Further, Armes claims he made recommendations “[i]n his capacity as a 21 producer” to: (1) slow down the tempo, (2) strip the song down to “just bass, guitar 22 and drums, without the keyboard,” (3) play the bass with a pick as opposed to fingers, 23 and (4) apply a reverb effect on the vocals and guitar tracks. (Id. ¶ 17.) Armes alleges 24 his “contributions to the organization, instrumentation, arrangement and overall 25 unique sound of the Song are all reflected in the final sound recording of [Circles] that 26 was ultimately released.” (Id.) He also alleges that “the style and sound of [Circles] 27 28 1 After carefully considering the papers filed in connection with the Motion, the Court deemed the matter appropriate for decision without oral argument. Fed. R. Civ. P. 78; C.D. Cal. L.R. 7-15. 2 1 is more similar to music created by Armes for his bands Down With Webster and 2 Honors than it is to any of Post’s prior music.” (Id. ¶ 20.) 3 After Post premiered Circles, Armes “immediately reached out” to London to 4 ask him to speak with Post about giving Armes co-writer credit and publishing 5 royalties for his role in creating Circles. (Id. ¶ 22.) London allegedly responded by 6 saying, “Just showed Posty the message [¶] He said he remembers [¶] U played a tune 7 on the bass then he played more of it after.” (Id. ¶ 23 (alterations in original).) Armes 8 claims Post offered a five-percent share of the publishing royalties for Circles, but 9 Armes unsuccessfully tried to negotiate for a larger percentage. (Id. ¶ 25.) To date, 10 Defendants have refused to credit Armes as a co-writer or producer of Circles and 11 have refused to pay him any publishing royalties for his role in the creation of the 12 song. (Id. ¶ 23.) The credited writers of Circles are non-parties Billy Walsh, Louis 13 Bell, and Kaan Gunesberk (together, the “Non-Party Writers”), as well as Post and 14 Dukes. (Id. ¶ 24.) 15 Based on the above allegations, Armes brings four causes of action for: 16 (1) Declaratory Judgment that Armes is: (a) a joint author of the Composition, (b) a 17 joint author of the Recording, (c) entitled to co-writer and co-producer credits for both 18 copyrights, and (d) entitled to prospective and retroactive royalties with respect to his 19 interests in those copyrights, in a percentage to be proven at trial; (2) Accounting of 20 all revenues derived from Defendants’ exploitation of the Composition and 21 Recording; and (3) Constructive Trust over the proceeds from the exploitation of the 22 Composition and Recording pending the final disposition of this action. (FAC ¶¶ 29– 23 44, Prayer for Relief.) 24 Armes filed this case on the morning of April 7, 2020. (Decl. of Allison S. Hart 25 (“Hart Decl.”) ¶ 2, ECF No. 29-1; see also Compl., ECF No. 1.) Later that day, Post 26 commenced a parallel action—seeking declaratory judgment that Armes is not a co- 27 author of the Composition or the Recording—in the U.S. District Court for the 28 3 1 Southern District of New York (the “SDNY Action”). (Mot. 2; Opp’n 3; see also Post 2 v. Armes, No. 1:20-CV-02877-ALC (S.D.N.Y.).)2 III. 3 DISCUSSION 4 Defendants bring their Motion on four grounds. First, they move to dismiss 5 Armes’s claims to the extent they relate to the Composition, under Federal Rule of 6 Civil Procedure (“Rule”) 12(b)(7) for failure to join the Non-Party Writers as 7 defendants under Rule 19. 8 Defendants move to transfer the case to the Southern District of New York. (Id. 9 at 8–11.) Third, Defendants move to dismiss Armes’s claims to the extent they relate 10 to the Recording, under Rule 12(b)(6) for failure to state a claim. (Id. at 11–20.) And 11 fourth, Defendants move to dismiss all claims against Post and Dukes under 12 Rule 12(b)(5), for insufficient service of process. (Id. at 21–23.) The Court addresses 13 Defendants’ requests in turn. 14 A. Second, as an alternative to dismissal, Failure to Join Necessary Parties Under Rule 12(b)(7) First, the Court considers Defendants’ request to dismiss Armes’s Composition 15 16 (Mot. 4–8.) claims under Rule 12(b)(7). 17 1. Legal Standard 18 A party may seek dismissal of a complaint for failure to join an indispensable 19 party under Rule 19. Fed. R. Civ. P. 12(b)(7). Rule 19 requires joinder of a person 20 2 21 22 23 24 25 26 27 28 Both sides refer to various documents filed in the SDNY Action, including declarations resubmitted as exhibits here. (See, e.g., Decl. of David A. Steinberg Exs. 1–4, ECF No. 28-1.) A court may take judicial notice of court filings and other matters of public record. Harris v. Cnty. of Orange, 682 F.3d 1126, 1132 (9th Cir. 2012) (noting that a court may take judicial notice of “undisputed matters of public record”); Reyn’s Pasta Bella, LLC v. Visa USA, Inc., 442 F.3d 741, 746 n.6 (9th Cir. 2006) (taking judicial notice of pleadings, memoranda, and other court filings); see also United States v. Black, 482 F.3d 1035, 1041 (9th Cir. 2007) (noting judicial notice of proceedings in other courts is proper “if those proceedings have a direct relation to matters at issue.”). Here, although neither party submitted a request for the Court to take judicial notice of these documents, the Court “may take judicial notice on its own.” Fed. R. Evid. 201(c)(1). Thus, to the extent the Court relies on any filings in the SDNY Action that fall within the aforementioned categories, the Court hereby takes judicial notice of those documents. The Court does not, however, take judicial notice of reasonably disputed facts in the judicially noticed documents. Lee v. City of Los Angeles, 250 F.3d 668, 688–89 (9th Cir. 2001). 4 1 whose absence would preclude complete relief among existing parties. Fed. R. Civ. 2 P. 19(a)(1)(A). Alternatively, joinder is required of any person who claims an interest 3 in the action and is so situated that disposing of the action in the person’s absence may 4 (1) impair or impede the person’s ability to protect the interest, or (2) leave an existing 5 party subject to a substantial risk of incurring inconsistent obligations because of the 6 interest. Fed. R. Civ. P. 19(a)(1)(B). “Th[e] standard is met when failure to join will 7 lead to separate and redundant actions.” IBC Aviation Servs., Inc. v. Compania 8 Mexicana de Aviacion, S.A. de C.V., 125 F. Supp. 2d 1008, 1011–12 (N.D. Cal. 2000). 9 It is not met when “defendants are only tangentially related to the cause of action or 10 would not prevent complete relief.” Id. at 1012. “Complete relief is concerned with 11 consummate rather than partial or hollow relief as to those already parties, and with 12 precluding multiple lawsuits on the same cause of action.” Nash-Perry v. JTH Tax, 13 Inc., No. CV 19-5843-GW-FFMx, 2019 WL 5902103, at *3 (C.D. Cal. Nov. 8, 2019) 14 (quoting Alto v. Black, 738 F.3d 1111, 1126 (9th Cir. 2013)). 15 If an absentee is necessary under Rule 19, the court must “determine whether it 16 is feasible to order that the absentee be joined.” E.E.O.C. v. Peabody W. Coal Co., 17 400 F.3d 774, 779 (9th Cir. 2005). The three scenarios in which joinder is not feasible 18 are: “when venue is improper, when the absentee is not subject to personal 19 jurisdiction, and when joinder would destroy subject matter jurisdiction.” Id. (citing 20 Fed. R. Civ. P. 19(a)). 21 determine . . . whether the case can proceed without the absentee, or whether the 22 absentee is an ‘indispensable party’ such that the action must be dismissed.” Id. In 23 other words, the court must dismiss the action where the absentees “not only have an 24 interest in the controversy, but [have] an interest of such a nature that a final decree 25 cannot be made without either affecting that interest, or leaving the controversy in 26 such a condition that its final termination may be wholly inconsistent with equity and 27 good conscience.” Id. (quoting Shields v. Barrow, 58 U.S. 130, 139 (1854)). “Finally, if joinder is not feasible, the court must 28 5 1 2. Joinder of the Non-Party Writers 2 Defendants argue the Non-Party Writers are necessary and indispensable simply 3 because they claim co-ownership interests in the Composition copyright. (Mot. 5–6.) 4 Defendants also insist joinder is not feasible because the Court lacks personal 5 jurisdiction over Gunesberk—a Canadian citizen and resident—and that the case 6 cannot proceed in his absence. (Id. at 6–8.) 7 Armes argues the Non-Party Writers are not necessary and indispensable 8 because (1) he “is not challenging the Non-Party [W]riters’ copyright ownership claim 9 to the Composition,” and (2) he “is not seeking to interfere with any contract between 10 Defendants and the Non-Party [W]riters or otherwise take away from their share of 11 the profits derived from the exploitation of the Composition.” (Opp’n 5, 10.) Instead, 12 Armes contends that his share of the profits “should come from that of Post and 13 Dukes.” (Id. at 5, 10.) Additionally, Armes claims the Court does have personal 14 jurisdiction over Non-Party Writers Walsh and Bell because they are California 15 citizens, and he asks the Court to “stay this action to permit [Armes] to engage in 16 jurisdictional discovery to determine whether there are facts supporting this Court’s 17 assertion of personal jurisdiction over Gunesberk.” (Id. at 7–9.) 18 Defendants offer no practical explanation for why the Court could not “accord 19 complete relief among existing parties,” considering that Armes expressly disclaims 20 any attempt to reach the Non-Party Individuals’ shares of the profits. See Fed. R. Civ. 21 P. 19(a)(1)(A). Armes alleges he wrote a significant portion of Circles with Post and 22 Dukes on August 8, 2018, but he admits he does not know who else subsequently 23 worked on the song. (See Opp’n 10.) Thus, he acknowledges he has no basis to 24 contest the Non-Party Writers’ claims as co-writers or their shares of the profits, 25 whatever those shares may be. (Id.) And although the FAC seeks an accounting of all 26 revenues and a constructive trust over all proceeds derived from the exploitation of the 27 song, Armes now expressly disclaims any challenge to the Non-Party Writers’ status 28 as co-writers or their shares of the profits. (Opp’n 6, 10.) Given Armes’s admissions, 6 1 there is no risk that failure to join the Non-Party Writers “will lead to separate and 2 redundant actions.” IBC Aviation, 125 F. Supp. 2d at 1012; see also Fed. R. Civ. 3 P. 19(a)(1)(B). Thus, Defendants fail to explain why Rule 19 requires joinder of the 4 Non-Party Writers. 5 Even assuming, for the sake of argument, that the Non-Party Writers are 6 necessary under Rule 19 and that the Court lacks personal jurisdiction over 7 Gunesberk, the Court finds several additional reasons why the Non-Party Witnesses 8 are not indispensable. As a starting point, Defendants present no authority to support 9 their bold proposition that co-owners of a copyright must always be considered 10 indispensable. As set forth in Armes’s Opposition, the authorities cited by Defendants 11 merely stand for the inapposite proposition that a copyright licensee must join the 12 copyright owner as a plaintiff if the licensee wishes to sue for copyright infringement. 13 (See Mot. 5–6 (citing Cable Vision, Inc. v. KUTV Inc., 335 F.2d 348, 353–54 (9th Cir. 14 1964); First Fin. Mktg. Servs. Grp., Inc. v. Field Promotions, Inc., 286 F. Supp. 295, 15 298 (S.D.N.Y. 1968); Wright & Miller, Federal Practice & Procedure § 1614 (3d 16 ed.)); Opp’n 5–6 (distinguishing cases).) 17 Furthermore, “[t]o say that a court ‘must’ dismiss in the absence of an 18 indispensable party and that it ‘cannot proceed’ without him puts the matter the wrong 19 way around: a court does not know whether a particular person is ‘indispensable’ until 20 it ha[s] examined the situation to determine whether it can proceed without him.” 21 Provident Tradesmens Bank & Trust Co. v. Patterson, 390 U.S. 102, 119 (1968). For 22 instance, the Supreme Court has explained that Rule 19(b) “directs a district court to 23 consider the possibility of shaping relief . . . and the Rule now makes it explicit that a 24 court should consider modification of a judgment as an alternative to dismissal.” Id. 25 at 111–12; see, e.g., Windsurfing Int’l, Inc. v. Ostermann, 100 F.R.D. 82, 84 (S.D.N.Y 26 1983) (holding that a co-owner of a patent was not indispensable, partly because 27 “whatever possibilities of prejudice to [the non-party co-owner] and to [the defendant] 28 exist c[ould] be avoided through the shaping of relief”). Given the circumstances 7 1 here, the Court finds the possible prejudice to the Non-Party Writers’ interests would 2 be easily avoided by shaping relief as Armes suggests—by denying Armes any claim 3 to the Non-Party Writers’ shares of the profits. 4 Lastly, as Armes notes: “Despite Defendants’ argument in this case that all 5 copyright owners are necessary and indispensable . . . neither Dukes nor any of the 6 Non-Party [W]riters is a named party to the [SD]NY Action, nor is UMG (who 7 Defendants claim is the sole owner of the copyright to the Sound Recording) a party.” 8 (Opp’n 13.) Indeed, Post’s failure to join the alleged co-owners as parties in the 9 SDNY Action seriously undermines Defendants’ argument here. 10 For these reasons, the Court concludes that the Non-Party Writers are neither 11 necessary nor indispensable to this action. Defendants’ Motion is DENIED to the 12 extent it relies on Rule 12(b)(7). 13 B. 14 15 Transfer to the Southern District of New York Second, the Court considers Defendants’ request to transfer the action to the Southern District of New York. 16 1. Legal Standard 17 A district court may transfer an action to any district or division where (1) the 18 transferee court is one where the action might have been brought, and (2) the parties’ 19 and witnesses’ convenience, as well as the interests of justice, favor transfer. 28 20 U.S.C. § 1404(a); Hatch v. Reliance Ins. Co., 758 F.2d 409, 414 (9th Cir. 1985); Metz 21 v. U.S. Life Ins. Co., 674 F. Supp. 2d 1141, 1145 (C.D. Cal. 2009). As to the first 22 step, the transferee court is one where the action might have been brought if “subject 23 matter jurisdiction, personal jurisdiction, and venue would have been proper if the 24 plaintiff had filed the action in the district to which transfer is sought.” Metz, 674 F. 25 Supp. 2d at 1145 (quoting Catch Curve, Inc. v. Venali, Inc., No. CV 05-04820 DDP 26 (AJWx), 2006 WL 4568799, at *1 (C.D. Cal. Feb. 27, 2006)). As to the second step, 27 the movant must present “strong” grounds for transferring the action; otherwise, the 28 plaintiff’s choice of venue will not be disturbed. Decker Coal Co. v. Commonwealth 8 1 Edison Co., 805 F.2d 834, 843 (9th Cir. 1986). Additionally, the Ninth Circuit has 2 noted that a court deciding whether to transfer may consider factors such as: 3 4 5 6 7 8 (1) the location where the relevant agreements were negotiated and executed, (2) the state that is most familiar with the governing law, (3) the plaintiff’s choice of forum, (4) the respective parties’ contacts with the forum, (5) the contacts relating to the plaintiff’s cause of action in the chosen forum, (6) the differences in the costs of litigation in the two forums, (7) the availability of compulsory process to compel attendance of unwilling non-party witnesses, and (8) the ease of access to sources of proof. 9 Jones v. GNC Franchising, Inc., 211 F.3d 495, 498–99 (9th Cir. 2000). The Court has 10 “broad discretion to transfer a case to another district where venue is also proper.” 11 Amini Innovation Corp. v. JS Imps., Inc., 497 F. Supp. 2d 1093, 1108 (C.D. Cal. 12 2007); see also Commodity Futures Trading Comm’n v. Savage, 611 F.2d 270, 279 13 (9th Cir. 1979) (“Weighing of the factors for and against transfer involves subtle 14 considerations and is best left to the discretion of the trial judge.”). 15 2. 16 Assuming for the sake of this Motion that Armes could have brought this action 17 in the Southern District of New York, Defendants fail to “make a strong showing of 18 inconvenience to warrant upsetting [Armes]’s choice of forum.” 19 F.2d at 843. Defendants’ main argument for transferring the case is that “New York is 20 uniquely capable of rendering a judgment that is enforceable against the interested 21 parties,” as Gunesberk has apparently agreed to submit only to the jurisdiction of the 22 Southern District of New York. 23 Defendants’ argument is that it presupposes Gunesberk is a necessary and 24 indispensable party to the action, which he is not. 25 Stripping away the issue of personal jurisdiction over Gunesberk, the Court sees no 26 compelling reason why it should transfer the case to New York. None of the relevant 27 facts occurred in New York; the governing federal law is not specific to New York; 28 Armes chose to bring this action in California; and it appears most of the parties and Transfer is Inappropriate (Mot. 10–11.) 9 See Decker, 805 Of course, the problem with (See Part III(A)(2), supra.) 1 potential witnesses in this case reside in California.3 (Opp’n 15.) For these reasons, 2 the Court concludes that neither the convenience factors nor the interests of justice 3 favor transfer. Defendants’ request to transfer the case to the Southern District of 4 New York is DENIED. 5 C. Third, the Court addresses Defendants’ request to dismiss Armes’s Recording 6 7 Failure to State a Claim Under Rule 12(b)(6) claims under Rule 12(b)(6). 8 1. Legal Standard 9 A court may dismiss a complaint under Rule 12(b)(6) for lack of a cognizable 10 legal theory or insufficient facts pleaded to support an otherwise cognizable legal 11 theory. Balistreri v. Pacifica Police Dep’t, 901 F.2d 696, 699 (9th Cir. 1988). To 12 survive a dismissal motion, a complaint need only satisfy the minimal notice pleading 13 requirements of Rule 8(a)(2)—a short and plain statement of the claim. Porter v. 14 Jones, 319 F.3d 483, 494 (9th Cir. 2003). The factual “allegations must be enough to 15 raise a right to relief above the speculative level.” Bell Atl. Corp. v. Twombly, 550 16 U.S. 544, 555 (2007). That is, the complaint must “contain sufficient factual matter, 17 accepted as true, to state a claim to relief that is plausible on its face.” Ashcroft v. 18 Iqbal, 556 U.S. 662, 678 (2009) (internal quotation marks omitted). 19 The determination of whether a complaint satisfies the plausibility standard is a 20 “context-specific task that requires the reviewing court to draw on its judicial 21 experience and common sense.” Id. at 679. A court is generally limited to the 22 pleadings and must construe all “factual allegations set forth in the complaint . . . as 23 true and . . . in the light most favorable” to the plaintiff. Lee v. City of Los Angeles, 24 25 26 27 28 3 Armes claims that he, Post, Dukes, and two of the Non-Party Writers all reside in California, and UMG’s principal place of business is in Los Angeles. (Opp’n 14–15.) Defendants respond that Post primarily resides in Utah and that Republic—the actual owner of the Recording copyright—is headquartered in New York. (See Reply 11.) Both sides provide scant evidence to support their assertions, but even accepting Defendants’ statements as true, it is not apparent why New York—or any other state, for that matter—would be the more convenient forum when it appears most of the interested individuals reside in California, and the alleged events took place in Canada. 10 1 250 F.3d 668, 679 (9th Cir. 2001). However, a court need not blindly accept 2 conclusory allegations, unwarranted deductions of fact, and unreasonable inferences. 3 Sprewell v. Golden State Warriors, 266 F.3d 979, 988 (9th Cir. 2001). 4 Where a district court grants a motion to dismiss, it should generally provide 5 leave to amend unless it is clear the complaint could not be saved by any amendment. 6 See Fed. R. Civ. P. 15(a); Manzarek v. St. Paul Fire & Marine Ins. Co., 519 7 F.3d 1025, 1031 (9th Cir. 2008). Leave to amend may be denied when “the court 8 determines that the allegation of other facts consistent with the challenged pleading 9 could not possibly cure the deficiency.” Schreiber Distrib. Co. v. Serv-Well Furniture 10 Co., Inc., 806 F.2d 1393, 1401 (9th Cir. 1986 (emphasis added)). Thus, leave to 11 amend “is properly denied . . . if amendment would be futile.” Carrico v. City and 12 Cty. of San Francisco, 656 F.3d 1002, 1008 (9th Cir. 2011). 13 2. Armes’s Recording Claims 14 Defendants advance multiple arguments for why the Court should dismiss 15 Armes’s Recording claims. First, Defendants argue that the Recording claims fail 16 because Armes does not allege (1) that he exercised control over the work, (2) that all 17 co-authors intended he be a co-author, or (3) that the audience appeal of the Recording 18 turns on his contributions. (Mot. 14–18.) Second, Defendants contend Armes fails to 19 allege that he made an independently copyrightable contribution to the Recording. 20 (Mot. 19–20.) 21 The Copyright Act defines a “joint work” as “a work prepared by two or more 22 authors with the intention that their contributions be merged into inseparable or 23 interdependent parts of a unitary whole.” 17 U.S.C. § 101. In the Ninth Circuit, a 24 joint work “‘requires each author to make an independently copyrightable 25 contribution’ to the disputed work.” Aalmuhammed v. Lee, 202 F.3d 1227, 1231 26 (9th Cir. 2000) (quoting Ashton-Tate Corp. v. Ross, 916 F.2d 516, 521 (9th Cir. 27 1990)). Significantly, joint authorship “requires more than a minimal creative or 28 original contribution to the work,” Aalmuhammed, 202 F.3d at 1233, and, 11 1 furthermore, “[m]erely making a copyrightable contribution is not enough to establish 2 joint authorship.” Morrill v. Smashing Pumpkins, 157 F. Supp. 2d 1120, 1123 (C.D. 3 Cal. 2001). The Ninth Circuit has instructed courts to look for three criteria of joint 4 authorship: (1) whether an alleged co-author exercised control over creation of the 5 work, (2) whether all co-authors made “objective manifestations of a shared intent to 6 be coauthors,” and (3) whether “the audience appeal of the work turns on [each co- 7 author’s] contributions and the share of each in its success cannot be appraised.” 8 Aalmuhammed, 202 F.3d at 1234 (internal quotation marks omitted). “Control in 9 many cases will be the most important factor.” Id.; accord Richlin v. Metro-Goldwyn- 10 Mayer Pictures, Inc., 531 F.3d 962, 968 (9th Cir. 2008). 11 In this case, the Court first notes that Armes appears to have sufficiently 12 pleaded a shared intent to be co-authors and that the audience appeal of the Recording 13 turns on his contributions thereto. Indeed, taking the statements in the FAC as true, 14 Armes alleges he was invited to write music together with Post and Dukes, and that 15 both the Composition and Recording were created on August 8, 2018, as a result of 16 their collaboration. 17 Recording appeals to audiences particularly because Circles marked a departure from 18 Post’s prior musical style and possessed characteristics consistent with Armes’s 19 musical style. (Id. ¶¶ 17, 20.) (FAC ¶¶ 12–15.) Further, Armes plausibly alleges that the 20 Nevertheless, the Court finds that Armes fails to allege his co-authorship of the 21 Recording because he does not plead facts showing “the most important factor”: that 22 he superintended control over its creation. See Aalmuhammed, 202 F.3d at 1234. 23 Specifically, Armes alleges that he made several creative recommendations while 24 Dukes created a recording of Dukes and Post performing the co-written musical 25 composition. 26 exercised control over the creation of the Recording. See Aalmuhammed, 202 F.3d 27 at 1235 (“[Plaintiff] . . . could make extremely helpful recommendations, but 28 [defendant] was not bound to accept any of them, and the work would not benefit in (FAC ¶¶ 17–19.) These allegations do not establish that Armes 12 1 the slightest unless [defendant] chose to accept them. [Plaintiff] lacked control over 2 the work . . . .”); Taylor v. Universal Music Corp., Inc., No. CV 13-06412 RGK 3 (AJWx), 2014 WL 12607685, at *4 (C.D. Cal. Mar. 10, 2014) (“Plaintiffs have not 4 pleaded allegations consistent with control over the [r]ecording. Rather, they allege 5 that they ‘participated in’ the recording session.”). 6 Armes similarly fails to allege that he made an independently copyrightable 7 contribution to the Recording. See Aalmuhammed, 202 F.3d at 1231. A work is 8 copyrightable if it is an “original work[] of authorship fixed in any tangible medium of 9 expression.” 17 U.S.C. § 102(a). And “[t]o be an author, one must supply more than 10 mere direction or ideas: one must ‘translate an idea into a fixed, tangible expression 11 entitled to copyright protection.’” S.O.S., Inc. v. Payday, Inc., 886 F.2d 1081, 1087 12 (9th Cir. 1989) (brackets omitted) (quoting Cmty. for Creative Non-Violence v. Reid, 13 490 U.S. 730, 737 (1989)). In other words, “[t]he author is the party who actually 14 creates the work.” Del Rio v. Virgin Am., Inc., No. CV 18-1063-GW(SKx), 2018 15 WL 5099720, at *4 (C.D. Cal. June 28, 2018) (emphasis added). Here, as explained 16 above, Armes only alleges that he supplied direction and ideas, while Dukes (and 17 perhaps a recording engineer) actually recorded Dukes and Post performing the 18 musical composition that Armes allegedly co-wrote. 19 allegations do not show that Armes made an independently copyrightable contribution 20 to the Recording. (FAC ¶¶ 17–19.) Such 21 In short, Armes fails to plead that he superintended any control over the 22 creation of the Recording or that he made an independently copyrightable contribution 23 thereto. Thus, the Court GRANTS in part4 the Motion under Rule 12(b)(6) and 24 25 26 27 28 4 Defendants also move to dismiss Armes’s Accounting and Constructive Trust causes of action under Rule 12(b)(6) simply because they are dependent upon the Declaratory Judgment cause of action. (Id. at 20.) Insofar as those claims encompass Armes’s Recording claims, they are dismissed for the reasons explained herein. However, because the Court does not dismiss Armes’s Composition claims, the request to dismiss the Accounting and Constructive Trust causes of action under Rule 12(b)(6) is also DENIED in part. 13 1 DISMISSES all claims to the extent they relate to the Recording. But because it is 2 not clear that amendment would be futile, the Court affords Armes leave to amend. 3 D. 4 5 Insufficient Service of Process Under Rule 12(b)(5) Finally, the Court addresses Defendants’ request to dismiss the claims against Post and Dukes for insufficient service of process. 6 1. Legal Standard 7 A party may seek dismissal of a complaint for insufficient service of process. 8 Fed. R. Civ. P. 12(b)(5). “Once service is challenged, [the] plaintiff[] bear[s] the 9 burden of establishing that service was valid under Rule 4.” Brockmeyer v. May, 383 10 F.3d 798, 801 (9th Cir. 2004). Under Rule 4(e)(1), an individual may be served in a 11 judicial district by “following state law for serving a summons in an action brought in 12 courts of general jurisdiction in the state where the district court is located or where 13 service is made.” Fed R. Civ. P. 4(e)(1). Alternatively, under Rule 4(e)(2), an 14 individual may be served by (A) delivering process “to the individual personally,” 15 (B) leaving process “at the individual’s dwelling or usual place of abode with 16 someone of suitable age and discretion who resides there,” or (C) delivering process to 17 an authorized agent. Fed. R. Civ. P. 4(e)(2). 18 “Where service of process is insufficient, the court has broad discretion to 19 dismiss the action or retain the case and quash the service that has been made on the 20 defendant.” Telebrands Corp. v. GMC Ware, Inc., No. CV 15-03121 SJO (JCx), 2016 21 WL 6237914, at *2 (C.D. Cal. Apr. 5, 2016) (internal quotation marks and citation 22 omitted); see also Stevens v. Sec. Pac. Nat’l Bank, 538 F.2d 1387, 1389 (9th Cir. 23 1976) (“The choice between dismissal and quashing service of process is in the 24 district court’s discretion.”). 25 plaintiff may ultimately be able to serve the defendant properly, the court will quash 26 the service.” Telebrands, 2016 WL 6237914, at *2 (quoting Smallwood v. Allied 27 Pickfords, LLC, No. CV 08-02196 BTM (RBB), 2009 WL 3247180, at *14 (S.D. Cal. 28 Sept. 29, 2009)). “Typically, if a reasonable prospect exists that the 14 1 2. Service upon Post Malone 2 Armes contends he properly served Post by filing a Proof of Service stating that 3 process was delivered to Post’s Utah residence via first-class certified mail, return 4 receipt requested, and that Armes received a return receipt bearing a signature by 5 “C. Sampson.” (Opp’n 22; Proof of Service upon Post, ECF No. 18.) Armes also 6 asserts that in California, “[a] summons may be served on a person outside this 7 state . . . by sending a copy of the summons and of the complaint to the person to be 8 served by first-class mail, postage prepaid, requiring a return receipt.” (Opp’n 22 9 (citing Cal. Civ. Proc. Code § 415.40).) 10 Defendants argue that service was nevertheless insufficient because the return 11 receipt was signed by someone other than Post, and that service under section 415.40 12 requires evidence of actual delivery to the person to be served. (Reply 12 (quoting 13 Livingston v. Morgan, No. C-06-2389 MMC, 2007 WL 1150922, at *3 (N.D. Cal. 14 Apr. 18, 2007).) Defendants, however, misinterpret Livingston. There, the court 15 noted that there was “no signed receipt or other evidence that [the defendant] had 16 received the . . . mailing,” and the defendant there attested to never having received 17 the documents in the mail. Livingston, 2007 WL 1150922, at *3 (emphasis added). 18 Here, Defendants do not claim that Post never received the mailed service 19 documents—they merely argue that service was ineffective because Post did not sign 20 the return receipt himself.5 (Reply 12.) But Defendants fail to provide any support 21 for their position. Based on the Proof of Service filed by Armes, the Court finds 22 Armes has established that service upon Post was valid under California Code of Civil 23 24 25 26 27 28 5 The Court notes that Post’s security guard, Cody Sampson, claims he did not see, review, or sign the return receipt. (Decl. of Cody Sampson (“Sampson Decl.”) ¶ 4, ECF No. 28-4.) Sampson explains, however, that messengers sometimes write his name on return receipts rather than having him sign them directly and that such an interaction may have occurred in this instance. (Id.) Sampson maintains that he would not have accepted the delivery of service documents if he had known what they were or if the delivery messenger had identified himself as a process server. (Id. ¶¶ 5–6.) But that is irrelevant, as the service documents here were sent via the U.S. Postal Service. (See Proof of Service upon Post.) 15 1 Procedure section 415.40 and, consequently, Rule 4(e)(1). Defendants’ request to 2 dismiss the claims against Post under Rule 12(b)(5) is DENIED. 3 3. 4 Armes contends he properly served Dukes by filing a Proof of Service stating 5 that “Substitute Service” was completed by leaving service documents with “‘Jane 6 Doe,’ Occupant” at 1991 North Alexandria Avenue in Los Angeles, California (the 7 “Alexandria Location”), and by mailing process thereafter. (See Proof of Service 8 upon Dukes, ECF No. 17.) Defendants challenge service under Rule 4(e)(2)(B), as 9 neither Dukes nor the person with whom process was left resides at the Alexandria 10 Location; Dukes admits to owning the property but claims he only uses it as a 11 recording studio. (Mot. 22–23; see Decl. of Adam King Feeney (“Dukes Decl.”) 12 ¶¶ 2–4.) Defendants further assert that service documents were left with a male 13 named Simon Hessman who permanently resides in Sweden and was merely visiting 14 the Alexandria Location. (Dukes Decl. ¶ 4.) 15 Service upon Dukes In opposition, Armes only argues that service was proper under California Code 16 of Civil Procedure section 415.20(a). (Opp’n 23–24.) Section 415.20(a) permits 17 service “by leaving [process] during usual office hours in his or her office or, if no 18 physical address is known, at his or her usual mailing address, other than a [P.O.] box, 19 with the person who is apparently in charge thereof, and by thereafter mailing 20 [process] by first-class mail.” 21 § 415.20(a)).) But as Defendants correctly point out (see Reply 12), section 415.20(a) 22 only applies to corporations and other entities, not individuals. Ross v. White, No. 23 2:17-cv-04149-ODW (JC), 2018 WL 3583033, at *3 (C.D. Cal. July 24, 2018) (citing 24 Telebrands, 2016 WL 6237914, at *3 n.2). (Opp’n 23–24 (quoting Cal. Civ. Proc. Code 25 Substituted service on an individual, on the other hand, is permitted under 26 section 415.20(b), but it requires a showing that personal service was first attempted 27 with “reasonable diligence.” Bd. of Trustees of Leland Stanford Junior Univ. v. Ham, 28 216 Cal. App. 4th 330, 337 (2013) (“[T]wo or three attempts to personally serve a 16 1 defendant at a proper place ordinarily qualifies as ‘reasonable diligence.’”). Here, 2 notwithstanding his reliance on an inapplicable provision of section 415.20, Armes 3 provides no evidence that he attempted personal service before resorting to substituted 4 service. Thus, Armes fails to show that service of process upon Dukes was valid. 5 Accordingly, the Court must decide whether to dismiss the action or quash 6 service. See Stevens, 538 F.2d at 1389; Telebrands, 2016 WL 6237914, at *2. 7 Notably, Defendants’ Motion “does not address why dismissal is an appropriate 8 sanction . . . or why quashing service would not adequately remedy the problems that 9 have been raised.” Chan Siu Tan John v. Guez, No. CV 09-01650 MMM (Ex), 2009 10 WL 10673053, at *3 (C.D. Cal. Aug. 3, 2009) (quashing service of process rather than 11 dismissing where the process server “appear[ed] genuinely to have believed that her 12 service efforts were sufficient”). Indeed, perhaps the process server did not know the 13 Alexandria Location, which appears to be a residential building, is used only as a 14 recording studio or that the individual appearing to reside there permanently lives in 15 Sweden. (See Dukes Decl. ¶ 4.) In any event, as it appears from the filed Proof of 16 Service that Armes genuinely believed service of process was valid, the Court finds “a 17 reasonable prospect exists that [Armes] may ultimately be able to serve [Dukes] 18 properly.” See Telebrands, 2016 WL 6237914, at *2. 19 Thus, the Court QUASHES service upon Dukes and ORDERS Armes to 20 effectuate valid service of process upon Dukes within twenty-one (21) days of the 21 issuance of this Order. If Armes fails to file proof of such service within that time, the 22 Court will dismiss Armes’s claims as to Dukes without further warning, pursuant to 23 Rule 4(m). In the meantime, Defendants’ request to dismiss the claims against Dukes 24 under Rule 12(b)(5) is DENIED. 25 IV. CONCLUSION 26 In summary, the Court GRANTS in part the Motion under Rule 12(b)(6) and 27 DISMISSES Armes’s Recording claims with leave to amend. Armes may file a 28 Second Amended Complaint curing the deficiencies identified above within fourteen 17 1 (14) days of the issuance of this Order. If Armes does not file a Second Amended 2 Complaint, Defendants shall file their Answer to the FAC within twenty-one (21) 3 days of this Order. The remainder of the Motion is DENIED, except that the Court 4 QUASHES service upon Dukes and ORDERS proper service of process as stated 5 above. 6 7 IT IS SO ORDERED. 8 9 October 19, 2020 10 11 12 ____________________________________ OTIS D. WRIGHT, II UNITED STATES DISTRICT JUDGE 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 18
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